By using this site, you agree to the Privacy Policy and Terms of Use.
Accept
  • Spotify Channel
  • Pop/R&B
  • Rock
  • Electronic
NEWSLETTER
Music World
  • News
    NewsShow More
    Taylor Swift and The Fate of Ophelia clinch seventh week at the summit
    December 5, 2025
    Saint Etienne on their farewell album and tour: “It’s a good point to stop – let’s not fuck it up it up now”
    December 5, 2025
    Belinda Carlisle, ‘Heaven Is a Place on Earth’: Chart Rewind, 1987
    December 5, 2025
    David Porter Honors Fellow Stax Great Steve Cropper: ‘He Will Forever Live On’
    December 5, 2025
    Katy Perry joins Justin Trudeau on official engagement in Japan
    December 5, 2025
  • Album Reviews
  • Features
  • Lists
  • Videos
  • More
    • Press Release
    • Trends
Reading: Taylor Swift’s Choreographer Recalls How Star Used to Be ‘in Her Head’ Over Her ‘Bad Rap’ as a Dancer
Share
Search
Music WorldMusic World
Font ResizerAa
  • News
  • Features
  • Reviews
  • Lists
  • Videos
Search
  • News
  • Album Reviews
  • Features
  • Lists
  • Videos
  • More
    • Press Release
    • Trends
Follow US
© 2022 Foxiz News Network. Ruby Design Company. All Rights Reserved.
Music World > News > Taylor Swift’s Choreographer Recalls How Star Used to Be ‘in Her Head’ Over Her ‘Bad Rap’ as a Dancer
News

Taylor Swift’s Choreographer Recalls How Star Used to Be ‘in Her Head’ Over Her ‘Bad Rap’ as a Dancer

Written by: News Room Last updated: October 27, 2025
Share

Taylor Swift wanted to work on her reputation when it came to her dancing, so she hired choreographer Mandy Moore.

In an interview with The New York Times published Sunday (Oct. 26), the choreographer opened up about working with the pop superstar to hone her movement skills before embarking in 2023 on her global Eras Tour, which saw Swift looking better than ever as she held her own in several different dance numbers. Before that, though, Moore says the 14-time Grammy winner was insecure about her abilities.

“She’d gotten a bad rap for a long time about her dancing, so she was really in her head,” the dance coach recalled to the publication. “We shifted the focus to how movement was already manifesting in her body — the way she naturally wanted to move. And then we fine-tuned that: ‘OK, that looks a little weird with your shoulders,’ or, ‘Let’s straighten your knee here.’”

“I really admire Taylor’s tenacity,” Moore continued. “She works so hard. Whatever I was putting down, she was picking up. And she’s very clear about what she wants, which I love.”

Elsewhere in the interview, the choreographer spoke in general about how she demystifies dancing for her superstar clients. “Dance is so vulnerable, and that feeling is only magnified by how famous the person is,” she explained. “Some of these artists have been sort of traumatized by dance. And so I end up as a kind of dance therapist.”

“A lot of it is really just getting in a room and being like, ‘Look, here’s this thing that I love, and you can love it too!’” Moore added.

Though Swift’s Eras trek is memorable for a boatload of reasons, one of them is how she clearly leveled up dancing-wise for the excursion. Fans went wild every night for her sexy Chicago-esque chair dance during “Vigilante Shit,” as well as her sultry, serpentine moves throughout the Reputation set.

The hitmaker has continued working with Moore throughout her The Life of a Showgirl era, teaming up to create TikTok trend-worthy choreography for Billboard Hot 100-topping lead single “The Fate of Ophelia.” In Swift’s The Release Party of a Showgirl film, she perfects her own dance moves while on set of the track’s music video, telling the crew at one point, “Can I just try to be a little bit better?”

TAGGED: Featured, genre pop, Music News
Share This Article
Facebook Twitter Email Print
Previous Article How Alejandra Gala Bridges’ Singular Journey Has Expanded Her Musical Universe
Next Article Slash shares doubt on Guns N’ Roses playing Las Vegas Sphere: “It’s not really rock and roll friendly”

Join Us for a Melodic Night Under the Stars!

Don't Miss Out

Latest News

New

Lily Allen Announces 2026 North American Tour

Saint Etienne on their farewell album and tour: “It’s a good point to stop – let’s not fuck it up it up now”

Belinda Carlisle, ‘Heaven Is a Place on Earth’: Chart Rewind, 1987

David Porter Honors Fellow Stax Great Steve Cropper: ‘He Will Forever Live On’

You Might Also Like

News

Taylor Swift and The Fate of Ophelia clinch seventh week at the summit

Taylor Swift takes The Fate of Ophelia to a…

Writen by News Room December 5, 2025
Features

Lily Allen Announces 2026 North American Tour

Lily Allen will tour North America for the first…

Writen by News Room December 5, 2025
News

Saint Etienne on their farewell album and tour: “It’s a good point to stop – let’s not fuck it up it up now”

Saint Etienne have spoken to NME about their last…

Writen by News Room December 5, 2025
News

Belinda Carlisle, ‘Heaven Is a Place on Earth’: Chart Rewind, 1987

By 1987, Belinda Carlisle had become a chart mainstay.…

Writen by News Room December 5, 2025
Music World

Until next time, keep the groove alive, and remember, music is the ultimate time machine.

FACEBOOK
SPOTIFY
YOUTUBE
RSS
  • News
  • Album Reviews
  • Features
  • Videos
  • Pop/R&B
  • Rock
  • Electronic
  • Privacy Policy
  • Contact
  • Terms of Use
  • Newsletter
DISCLAIMER: We make great efforts to maintain reliable data on all offers presented. However, this data is provided without warranty. Users should always check the provider’s official website for current terms and details.
Welcome Back!

Sign in to your account

Lost your password?