While O’Brien is globally recognized for the atmospheric, textured guitar landscapes that define Radiohead, Blue Morpho finds the artist “beginning anew.” The record is described as a sonic tapestry that weaves together hypnotic psych-folk, trip-hop, and radiant guitar work. It represents a deliberate move into “luminous stillness,” allowing O’Brien to explore a more vulnerable and exploratory side of his musicianship.
Rather than a traditional concert, the Barbican show is conceived as a “fluid and immersive experience.” O’Brien will be joined by a hand-picked collective of musicians who featured on the album’s recording sessions, led by musical director David Okumu.
The ensemble aims to treat the compositions as living organisms rather than static studio recreations. Drawing inspiration from the expansive, improvisational spirits of Miles Davis, Sly and the Family Stone, and Phish, O’Brien will act as the central figure in a performance designed to evolve and “take on a life of its own” within the hall.
The announcement comes alongside other highlights for the Barbican’s upcoming calendar, including:
Mammal Hands (29 April 2026): The Norwich trio returns with their blend of jazz and minimalism, now featuring support from The Vernon Spring (Sam Beste).
Bess Atwell (6 February 2027): The English singer-songwriter makes her Barbican debut following the success of her Aaron Dessner-produced album, Light Sleeper.
Tickets for “An Evening With… Blue Morpho” start from £25 and are expected to be in high demand as fans look to catch one of rock’s most influential guitarists in such an intimate, exploratory setting.
