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Music World > Features > Low Cut Connie’s All-Inclusive, All-American Protest Music
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Low Cut Connie’s All-Inclusive, All-American Protest Music

Written by: News Room Last updated: July 3, 2026
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Adam Weiner knows you’re angry. So, when the Philadelphia singer-songwriter began writing a new album for Low Cut Connie — both the band he leads and the stage name under which he performs — he looked to a specific great American hero for inspiration: Fred Rogers.

“Mr. Rogers said, ‘What do you do with the mad that you feel?’ Remember that speech while he’s putting his sweater on?” Weiner tells Rolling Stone’s Nashville Now podcast. “We all get angry; we’ve got to use it. We’ve got to use it to motivate us: get in the streets, use your voice, vote, talk to your community, organize. Do that first, and then we’re going to have fun. But we’ve got to do both things.”

Weiner channels that energy to activate and organize into Livin’ in the USA, Low Cut Connie’s eight studio album, which dropped on Friday — just in time for Independence Day. A collection of 10 songs, the album leads off with the forlorn title track. It’s a song about feeling alienated in your own country that Weiner wrote in response to the current administration’s assault on its citizens. “Livin’ in the USA, but it ain’t my home,” he sings.

Some in his camp advised him not to perform it.

“I actually had somebody on my team that I let go because they were advising me to stop singing the song, that it was going to get me in trouble, and it was going to ruin my career. I didn’t necessarily think that person was wrong, I just didn’t agree with them,” Weiner says. “I have to look in the mirror every day and feel good about what I’m doing.”

While Livin’ in the USA may be based in protest, it’s not a downer record. Weiner says classic songs and LPs from Aretha Franklin’s “Respect” to Prince’s Sign o’ the Times showed how artists can balance the protest with the party.

Nashville Now: Click for more of Rolling Stone’s weekly country music podcast: interviews, news, and must-hear songs.

“You think when you hear the words ‘protest music’ that it’s going to be depressing or very dour and serious. No. Think about Sly and the Family Stone. Sly was doing music that was inspiring and fun and social commentary at the same time,” Weiner says. “That’s what I’m trying to do. We can reclaim joy and protest at the same time.”

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Watch Low Cut Connie’s full interview on Rolling Stone’s Nashville Now podcast below.

Download and subscribe to Rolling Stone’s weekly country-music podcast, Nashville Now, hosted by Deputy Editor, Head of Country Joseph Hudak, on Apple Podcasts or Spotify (or wherever you get your podcasts). New episodes drop every Wednesday and feature interviews with artists and personalities like Vince Gill, Lainey Wilson, Shaboozey, Hardy, Charley Crockett, Tedeschi Trucks Band, Kings of Leon, Dan Auerbach of the Black Keys, the Black Crowes, Carly Pearce, Amy Grant, Luke Grimes, Brandon Lake, Breland, Bryan Andrews, Noeline Hofmann, Adam Mac, Devon Gilfillian, Gavin Adcock, Amanda Shires, Shooter Jennings, Margo Price, Michaela Anne, Ink, Ne-Yo, Rival Sons’ Jay Buchanan, Halestorm, Dusty Slay, Lukas Nelson, Ashley Monroe, Old Crow Medicine Show’s Ketch Secor, Clever, Love on the Spectrum‘s Tyler White, Willie Nelson scholar John Spong, and authors Marissa R. Moss, Josh Crutchmer, Mark Gray, and Jonathan Bernstein.

TAGGED: Featured, Low Cut Connie, Nashville Now
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