The shift was born from a deliberate period of “reclaiming normality.” Having signed a record deal while still in school and spending her early twenties touring with the likes of Billie Eilish, Parks realized she had missed out on the formative experience of simply living. “I ended up spending a lot more time dancing and getting out of my head and more into my body,” she told the BBC.
This immersive research involved more than just late nights; Parks approached club culture with the mind of a scholar, studying the architecture of communal spaces and listening to legendary DJ sets from New York’s Paradise Garage. The result is a record that references heavyweights like Burial and Jamie xx while maintaining the poetic intimacy that won her a global following.
The lead tracks paint a vivid picture of this new world. Heaven captures the sensory overload of a Los Angeles rave, while Get Go serves as a two-step homage to London’s pirate radio heritage. Even her personal life has been transformed by the strobe lights; Parks shared that the single 2Sided recounts the true story of shedding her pride to make the first move on her now-partner across a laser-lit room.
Despite the glitchy breakbeats and thrumming basslines, Parks reassures longtime fans that her core identity remains intact. The album still grapples with romantic uncertainty and yearning, using the repetitive structures of dance music to mirror the “spiraling” nature of human thought. By embracing the fleeting beauty of the present moment, Parks appears to have found a newfound confidence. As she told the BBC, she isn’t chasing stadium-sized fame, but rather a “timeless” sound that lasts.
