Drake’s ICEMAN spends a third week at No. 1 on the Billboard 200 albums chart (dated June 13), earning 171,000 equivalent album units in the United States in the week ending June 4 (down 24%), according to Luminate.
Of Drake’s 15 No. 1 albums, ICEMAN is now one of five to spend at least three weeks at No. 1, and his first with three weeks at No. 1 since Certified Lover Boy spent five weeks in the lead in 2021. The Drake album with the most weeks at No. 1 is Views, with 13 weeks in 2016.
Also in the top 10 of the latest Billboard 200, Paul McCartney achieves his 22nd top 10 album as The Boys of Dungeon Lane debuts at No. 5, while aespa captures its third top 10 with the No. 9 arrival of LEMONADE.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 13, 2026-dated chart will be posted in full on Billboard‘s website on June 9. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.
Of ICEMAN’s 171,000 equivalent album units earned in the latest tracking week, SEA units comprise 170,000 (down 24%, equaling 174.42 million on-demand official streams of the set’s tracks; it spends a third week at No. 1 on Top Streaming Albums), album sales comprise nearly 1,000 (down 50%) and TEA units comprise the remainder (down 29%).
A trio of former No. 1s follow ICEMAN, as Ella Langley’s Dandelion is a non-mover at No. 2 (93,000 equivalent album units earned, up 1%), Morgan Wallen’s I’m the Problem rises 4-3 (83,000, up 4%) and Noah Kahan’s The Great Divide falls 3-4 (78,000, down 7%).
Paul McCartney’s The Boys of Dungeon Lane debuts at No. 5 on the Billboard 200, with 63,000 equivalent album units earned. Of that sum, album sales comprise 59,500 (it debuts at No. 1 on Top Album Sales), SEA units comprise nearly 3,500 (equaling 3.33 million on-demand official streams of the set’s tracks) and TEA units comprise the remainder. First-week sales were bolstered by the album’s availability across 18 physical variants, including more than 10 vinyl editions.
The Boys of Dungeon Lane marks the 22nd top 10 for McCartney, inclusive of his solo top 10s and his albums with Wings. The new set was led by the single “Days We Left Behind,” which peaked at No. 22 on the Adult Contemporary airplay chart in April.
Michael Jackson’s former No. 1 Thriller is next on the Billboard 200, falling one spot to No. 6 with 61,000 equivalent album units (down 5%), while Jackson’s greatest hits collection Number Ones slips 6-7 (56,000, down 7%). Wallen’s former leader One Thing at a Time climbs 11-8 with 42,000 (up 3%).
Pop group aespa notches its third top 10 as LEMONADE arrives at No. 9 with 41,000 equivalent album units earned. Of that sum, album sales comprise 34,500 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,500 (equaling 6.73 million on-demand official streams of the set’s tracks) and TEA units comprise the remainder. First-week sales of the album were aided by its availability across more than 20 CD variants, including signed editions, with many containing collectible items such as photocards, stickers and posters, with some items randomized.
Closing out the top 10 of the latest Billboard 200 is Drake’s HABIBTI, which falls 7-10 with nearly 41,000 equivalent album units (down 24%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
