Dua Lipa is reportedly branching out into the ice cream business.
- READ MORE: Dua Lipa live at Glastonbury: a powerhouse performance to shut down the critics
No stranger to business endeavours outside of the music industry, Lipa previously launched her “global style, arts and culture newsletter” Service95 in 2022, alongside a podcast series Dua Lipa: At Your Service that’s seen her interview the likes of Troye Sivan, Billie Eilish and even Apple CEO Tim Cook.
Now, Lipa is expanding her business empire further and preparing to launch her own range of ice cream desserts, according to a report by The Mirror.
The newspaper claims that the ‘Houdini’ singer has recently applied for a licence to protect her name as a brand for marketing a range of frozen desserts, and is now waiting for approval from the government’s Intellectual Property Office.
The application covers the sale of “non-dairy ice cream, ice cream cones, dairy ice cream, ice cream desserts, ice cream cakes and ice cream drinks”, along with milkshakes and yoghurts.
It’s not yet clear when/if the line will launch.
In other news, Lipa recently released tickets for a second Wembley Stadium show after “incredible demand” saw her first show, announced shortly after her Glastonbury headline performance, sell out in just five minutes.
She’ll play at the iconic London venue on June 20 and 21 2025. You can get tickets for the show here, which are on sale now.
Lipa will also play dates in Asia later this year as well as a one-night show at the Royal Albert Hall in London this October.
This summer, Lipa has also appeared at a number of festivals including Poland’s Open’er Festival, Belgium’s Rock Werchter, Spain’s Mad Cool Festival and Portugal’s NOS Alive Festival.
Lipa was the first artist to headline Glastonbury this year, ahead of Saturday headliner Coldplay and Sunday’s SZA. During her set, she brought out Kevin Parker as a surprise guest to sing Tame Impala’s ‘The Less I Know The Better’.
NME rated Lipa’s Glastonbury set four stars, with reviewer Liberty Dunworth calling it a “visual spectacle” that “not only becomes a glittering celebration of pop in its highest form but also serves as a reminder that even the most outlandish aspirations can become a reality”.
