A Rare “Stripped Back” Set from Placebo
Opening the night, Placebo delivered a transformative performance that marked their first live appearance in two years. Eschewing their usual wall of sound, the band presented a “stripped-back” six-piece arrangement. Frontman Brian Molko admitted to feeling “flutters of nerves,” but the vulnerability only added to the magic.
The setlist reimagined classics like “Pure Morning,” “Special K,” and “Meds” with an expansive, atmospheric new sound. The performance concluded with a heartbreakingly rare rendition of “Centrefolds,” earning a thunderous standing ovation. Molko took a moment to praise the charity’s “breathtaking work,” reminding the audience that the Trust is the only UK charity dedicated to providing specialized nursing care for this age group.
Garbage Honors the “Cureator”
Headliners Garbage brought a high-octane energy to the hall, led by an electrifying Shirley Manson. The band tore through a career-spanning set including “I Think I’m Paranoid” and “Stupid Girl.” A poignant highlight occurred when Manson led the band through their first-ever live cover of The Cure’s “Lovesong” as a tribute to Robert Smith.
“Without Robert Smith, we would not be here tonight,” Manson told the crowd, expressing deep gratitude for both the curator and the fans. She also offered high praise for Placebo, noting that the two bands “grew up together” in the 90s.
Music with a Mission
While the music was the draw, the cause remained the focus. With cancer killing more young adults in the UK than any other disease, the funds raised from this series support 28 specialist hospital units. As the 2026 residency draws to a close, the “Good Energy” art exhibition remains open at the Hall until April 9th, ensuring the spirit of the mosh pit continues to serve as a sanctuary for those in need.
Photo credit: John Stead
