Reflecting on his formative years in London, Thompson recalls witnessing the birth of British rock at the Marquee Club, specifically the early residency of The Who. “It was quite extraordinary,” Thompson says. “The Who in the early days were writing great short pop songs before it became bombastic, anthemic, stadium-sized—it was really wonderful, tight, well-constructed music.”
Thompson’s journey took a pivotal turn when he met producer Joe Boyd, a figure he credits with the survival of his creative circle. “I don’t know what would have happened without Joe on the scene,” Thompson explains. “I’m not sure anybody else had the ears to take someone like Nick Drake and allow him to express himself… He is so important to us.”
The episode dives deep into the highs and lows of the Fairport era, including the “deeply traumatic” van accident that claimed the lives of his drummer and girlfriend, as well as the origins of the anthem “Meet on the Ledge.” Thompson notes with a sense of wonder that the song has now “become public property.”
A songwriter’s songwriter, Thompson has seen his work covered by everyone from R.E.M. to Bonnie Raitt. However, one specific interpretation stands above the rest. “Tom Jones is the one that would absolutely knock my socks off,” he says of the Welsh legend’s cover of “Dimming Of The Day.” “In terms of what a great guy, what a great singer—and how flattering to have Tom do your song.”
From his iconic duo with Linda Thompson to his enduring solo career, Richard Thompson remains a master of his craft. As Ganbarg’s podcast proves, he is an artist still driven by a singular musical voice that continues to be foundational for generations.
