Tyler, The Creator has shared the line-up for Camp Flog Gnaw 2026, featuring the likes of Turnstile, Lola Young and Steve Lacy.
The annual US festival, founded by the California rapper and producer, will return to LA’s Dodger Stadium on November 14 and 15.
Tyler himself is scheduled to headline this year’s event, following his bill-topping two-day takeover of London’s All Points East next week. He’ll be joined on the line-up by the aforementioned Turnstile, Young and Lacy.
Other confirmed acts include Future, Vince Staples, 2hollis, Earl Sweatshirt & MIKE, The Alchemist, Isaiah Rashad, Syd, Thee Sacred Souls, Not For Radio, Leon Thomas, Audrey Nuna, Magdalena Bay, JID, Lupe Fiasco, Quadeca and Wallows.
Tickets for Camp Flog Gnaw 2026 first went on sale earlier this summer, but have since sold out. However, those hoping to attend can sign up to join the waitlist on the festival’s official website.
The confirmed artists for Camp Flog Gnaw 2026 are:
Lola Young
Quadeca
Lupe Fiasco
2hollis
JID
Steve Lacy
Isaiah Rashad
Concrete Boys
Earl Sweatshirt & MIKE
Gabriel Jacoby
Natanya
Don Toliver
Syd
threetwenty
Left Brain
Thee Sacred Souls
Domo Genesis
Liim
Magdalena Bay
Jane Remover
Mike G
NSQK
Turnstile
Audrey Nuna
Latin Mafia
Leon Thomas
Casey Veggies
Wallows
Ama
310babii
Future
Nomi
Tyler, The Creator
The Alchemist
Not For Radio
Vince Staples
GENA
Wyatt Waddell
54 Ultra
Tyler had previously shared a teaser post, asking fans to “unscramble the lineup” via the Camp Flog Gnaw website.
Meanwhile, Turnstile, Vince Staples and Syd are set to support Tyler, The Creator at All Points East next week. He’ll also be joined by the likes of Rex Orange County, Mariah The Scientist, Clipse, Ravyn Lenae, Daniel Caesar, Baby Keem, Dijon, Ghostface Killah, Faye Webster, Danny Brown and Jim Legxacy across the two days.
Tyler released his latest studio album, ‘Don’t Tap The Glass’, last July, after announcing it only two days earlier during a concert in Brooklyn.
NME gave ‘Don’t Tap the Glass’ a four-star review, writing: “Shedding the cinematic sprawl and narrative pathos of last year’s ‘Chromakopia’, Tyler steps away from the character-driven framing of Wolf Haley or Sir Baudelaire.
“The paranoia and parasocial tension explored on that record still linger – but beneath cartoonish ’80s rap armour. It’s part Kurtis Blow and part LL Cool J, encased in a clear Perspex chamber like a collector’s action figure. Instead of inviting connection, Tyler shields himself behind the glass: a museum piece for dance and display only.”
